Faber Teater is a group of theatrical artisans, an ensemble that shares a musical heart and a poetics, that believes in a theatre that welcomes and completes itself by creating relationships. A theatre even where you don’t expect it, a creative workshop in motion where you can search, rejoice, sing, be amazed…
Faber as a blacksmith, a craftsman, ours wants to be a theater of craftsmanship, an artist’s workshop where you can learn, study, rejoice, search, stay. We put the work of the actor, group theater, collective creation at the center, we cultivate the actor-spectator relationship and we are in the continuous and passionate search for “our theater” made of thought, action, ideas, shows, exchanges, quality, commitment. We believe in the spectacular moment as an intense exchange of perceptions, emotions, energies, “stories” with the spectators, in the places, often unconventional, that host us.
Faber Teater was born in 1997 thanks to the intuition and vision of Aldo Pasquero (for years also artistic director of the group with the precious collaboration of Giuseppe Morrone).
We believe in self-pedagogy and in the collective and individual research of training, of preparation for the stage that passes through different traditions from worlds near and far: from yoga to dance, from acrobatics to the use of stilts, from singing to storytelling, to the study of musical instruments. Since 2004 we have chosen to deepen vocal, musical and pedagogical research with Antonella Talamonti, composer, trainer, teacher and vocalist, for twenty years a collaborator of the Scuola Popolare di Musica di Testaccio in Rome.
Over the years we have met and collaborated with many men and women of the theatre, whom we respect, from whom we have learned a lot and with whom we have shared and continue to share part of our pedagogical and artistic journey, including Mario Barzaghi, Claudia Contin and Ferruccio Merisi, Andrea Brugnera, Rocco De Paolis, Mario Chiapuzzo, Luciano Nattino, Gianni Bissaca, Paolo Nani.
We have created and tour many shows around the world, in prestigious festivals in large capitals and in the most remote villages, in historic theaters and small squares, for very few or hundreds of spectators.
