Bus & Tric is the story of Bustric who decides to play two twins, so identical that they seem like one: “Bus” and “Tric”. The two new characters will thus give life to a variety show with conjuring tricks, pantomime, transformations and other surprises with the aim of astonishing, because wonder is the basis of every passion. Without wonder there could be neither hate nor love... joy nor sadness. A slightly grotesque and slightly abs...

Sergio Bini, aka Bustric, the actor, the magician, the mime, the illusionist, the clown, the singer, leads us with his light and wandering step on a surprising journey into the world of the game His ability to be amazed infects us and reawakens in us the wonder that is at the origin of the discovery of the world. s in a daydream, Bustric lifts us into a joyful dimension in which the vertigo of the imagination makes the fantastic real. Bustric's s...

The Verdi by the Nuova Complesso Camerata is a play with melodrama giving back to the tradition of sentimentalism its popular dignity. Starting from the works of the maestro and from some arias jumbled and recomposed as a more intimate musical narration, with a dialectal flavor, the settings reconstruct the Emilia of the Resistance period. It is a very fun walk in the countryside and, at the same time, an exciting journey through time that leav...

Mariposa, the mechanical butterfly is a fable that amazes, makes you laugh and moves you. It gently kidnaps you in a country populated by pure and naive beings and evil exploiters, but also by nice characters who are forced to betray, as in life. Mariposa is a beautiful butterfly with the body of a girl, with transparent wings like wishes. Nomination UBU Award 2000 "Best Young Actors" section Mauro Mou and Silvestro Ziccardi Finalist for the S...

The Verdi by the Nuova Complesso Camerata is a play with melodrama giving back to the tradition of sentimentalism its popular dignity. Starting from the works of the maestro and from some arias jumbled and recomposed as a more intimate musical narration, with a dialectal flavor, the settings reconstruct the Emilia of the Resistance period. It is a very fun walk in the countryside and, at the same time, an exciting journey through time that leav...

A text without text, without words. Still images on paper, postures, expressions that come to life. A study on bodies, on the expression of simple gestures, on the irony and comedy that they produce. Let's start from the formal simplicity of Peynet, from his timid play, from the disturbing reliefs of Masereel's woodcuts. The chosen signs are the large and silent ones of stilts and the rhythmic suspension of music. Street theatre, or perhaps thea...

They called them “sos laribiancos”, those with white lips: it was the distinctive, unmistakable sign of the poor of Arasolè, a small village in Sardinia, bordering the forests of Goceano. Sos laribiancos were immediately recognizable: they ate little meat, few carbohydrates, few proteins… they ate too little. The show was born from a deep interest and consideration for the work of Francesco Masala. «On several occasions the poet-writer ...

Nunzio is a one-act play with two characters, Nunzio and Pino, two southern figures who emigrated for work reasons (Nunzio is a worker in a chemical factory, Pino is a killer), who live in a modest apartment in a city in the north. The action, which takes place over the course of a single day, describes the moment in which Pino, after a murder, returns home to discover that Nunzio has serious health problems. Thus a dialogue is born between the t...

Bar atto unico, spies on the four crucial days in the life of two young people, Nino and Petru, who have chosen the back of a bar to hide from the rest of the world, each with different motivations, each ignoring almost everything about the other, the world, and even themselves. The show tells the story of their fight against this ignorance without clarifying the outcome, but rather making it happen, every night, unpredictably, through an immedia...

Yes, at "Teatro da mangiare?" you really eat; you eat the things we grow and transform in our farm Le Ariette; the question mark is rather there for the theater. Where is the theater, if it exists? Where is it hiding? I don't know. But among all these doubts one thing is certain, our theater needs diners, otherwise what do we do with tagliatelle?...

In our latest show we imagine a neighborhood in a large Italian city, a bit real and a bit invented, a bit northern and a bit southern. The characters are men and women who live in that neighborhood, who were born there or who went to live there. They are not “normal people” but important men: an entrepreneur from Emilia, a fetishist judge, a policeman from the North-East, a Catholic social worker known to everyone, a right-wing terrorist f...

Yes, at "Teatro da mangiare?" you really eat; you eat the things we grow and transform in our farm Le Ariette; the question mark is rather there for the theater. Where is the theater, if it exists? Where is it hiding? I don't know. But among all these doubts one thing is certain, our theater needs diners, otherwise what do we do with tagliatelle?...

Published posthumously in 1983, three years after the premature death of the author Michelangelo Pira, an intellectual who left a great void in the island's culture, Sos Sinnos (the signs) remains the most important attempt to use the Sardinian language - in the Bittese variety - for a work of global scope that would make its own the most important results of literature and human sciences of the 20th century. The show is the first phase of a mus...

Yes, at "Teatro da mangiare?" you really eat; you eat the things we grow and transform in our farm Le Ariette; the question mark is rather there for the theater. Where is the theater, if it exists? Where is it hiding? I don't know. But among all these doubts one thing is certain, our theater needs diners, otherwise what do we do with tagliatelle?...

Yes, at "Teatro da mangiare?" you really eat; you eat the things we grow and transform in our farm Le Ariette; the question mark is rather there for the theater. Where is the theater, if it exists? Where is it hiding? I don't know. But among all these doubts one thing is certain, our theater needs diners, otherwise what do we do with tagliatelle?...

Yes, at "Teatro da mangiare?" you really eat; you eat the things we grow and transform in our farm Le Ariette; the question mark is rather there for the theater. Where is the theater, if it exists? Where is it hiding? I don't know. But among all these doubts one thing is certain, our theater needs diners, otherwise what do we do with tagliatelle?...