I CANTIERI “BELLI DA METTERE IN SCENA” There is something special in the stories that Milena Agus tells, and in the way she tells them. A candor, a freshness, an ability to go beyond reality - and at the same time to touch it and be hurt by it - that belongs to her and only she can reproduce. With her first novel, Durante dorme il pescecane, published by Nottetempo, she told a bizarre, moving and disconcerting story, which had as its theme t...

Cantiere “Cuori di Panna Smontata” As in the tale of Pinocchio, we too have learned the lesson! To become real men, to abandon the age of childhood where the individual is like a puppet at the mercy of events, we must behave well and be aware of what we really are and live… OK – FUCK OFF, LET’S RIOT! ...

workshop on the actor's work conducted by Danio Manfredini Professional level Danio Manfredini – UBU 2004 award for best direction - after a long period of absence returns to Sardinia with an intensive 30-hour course on the actor's work aimed at 20 professional actors....

workshop study on the novel Assandira by Giulio Angioni led by Pierpaolo Piludu Open to all. The only requirement is to have read the novel duration 20 hours The Assandira farmhouse goes up in smoke and the manager dies in the flames. How, who and why started the fire? Behind the why is a big topic of today: tourism that exploits local traditions. There is an investigation and a final surprise, but it is a thriller of conscience, a drama of ident...

I CANTIERI “BELLI DA METTERE IN SCENA” A short and violent life, an epic burned in a few months, were enough to consign Jules Bonnot and his gang to history as "the first car robbers". Films, books and ballads have been dedicated to the tragic figure of Bonnot. In 2001, the publishing house Feltrinelli re-released a book by Pino Cacucci - already published in 1994 by Longanesi - which, despite being a novel, faithfully reconstructs the story...

Restitùta Serrale, yet another victim of the epidemic. Very young, poor, a prostitute before becoming a waitress, she belongs to that class of people whose death does not cause a stir, for whom, indeed, a premature end seems obvious. Very strange, then, that the most powerful man in Naples, the criminal Alceste Tramontano, is interested in her. Why did he make sure that Efisio Marini, the embalmer, discovered the atrocious truth hidden behind th...