Born in 1991, in Ponte dell’Olio (Pc).
After studying artistic gymnastics and classical dance, in 2014 she graduated as a dancer at the Paolo Grassi School of Dramatic Arts, under the didactic direction of Marinella Guatterini.
Of fundamental importance are the meetings with Enzo Cosimi, Dominique Dupuy, Cesc Gelabert, Jonah Bokaer, Maria Consagra.
In 2014 she took part in the show by Dario Fo and Franca Rame Storia di Q and began working as a dancer in all of Simona Bertozzi’s productions: Animali senza favola (2014), Prometeo: Contemplazione (2015), Prometeo: il Dono (2015), Prometeo: Astronomia (2016), And It Burns Burns Burns (finalist show of the UBU Danza Award 2017) and in the solo Flow On River (2018). In 2016 he began working with Luca Veggetti for the shows Non essere, una tentazione (2017), Quarto carattere (2018), L’inferno dello sguardo (2019), Infinito Nero (2021).
She engages in some video-dance experiences (Interferenze short film, L’isola sbagliata film, Piano Social, music video) and in 2017 she is called by Romeo Castellucci to take part in the new production Democracy in America and in 2018 in The Magic Flute, an opera directed by Castellucci and choreographed by Cindy Van Acker.
In 2020, thanks to the Crisol project, he collaborates with the choreographer Jayachandram Palazhy and the Indian dancers of the Attakkalari Centre for Movement Arts.
In 2020 he began working with Motus, in the production Tutto Brucia and in the solo Of the nightingale I envy the fate.
In 2022 he took part in Silvia Rampelli’s performance Body Farm.
She worked with Ariella Vidach in Temporaneo Tempobeat (2016), Emanuela Tagliavia, in Hopper Variations (2014) and Combustioni (2015), with Mette Sterre in the Robert Wilson-curated performance Structurealist (2015), and with Aristide Rontini for TalithaKumi (2021).
Other key meetings: Roberta Mosca, Yasmine Hugonnet, Raffaella Giordano, Michalis Theophanous, Cristina Rizzo, Nanou, Jan Fabre, Francesca Proia.
In 2021 she was invited to participate in the meeting ‘Cellule d’Essai’ for young European choreographers, at the Maison de la Danse in Lyon, to “meditate on the nature of the dancer’s work and its processes”.
Stefania Tansini is an artist supported by the Fondazione Teatro Grande di Brescia.